Overview

The EQ Match module lets you match the EQ profile of a selection with the profile of a different selection. This is useful if you’re ever tasked with matching a lav mic with a boom mic, matching location dialogue to ADR or vice versa, or perhaps you had multiple mics on an audio source that you’d like more closely aligned in terms of frequency response.

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2. EQ Match ADV Overview. The EQ Match module lets you match the EQ profile of a selection with the profile of a different selection. This is useful if you’re ever tasked with matching a lav mic with a boom mic, matching location dialogue to ADR or vice versa, or perhaps you had multiple mics on an audio source that you’d like more closely aligned in terms of frequency response.
3. Mar 06, 2015  iZotope RX 4 Advanced. Streamlined Operation, New Leveler, Loudness Modules. Click Learn, select another region that sounds bad, and click Process. EQ Match lets you save spectral profiles as presets, speeding your workflow. The Ambience Match module does for noise what EQ Match does for timbre, with one caveat: It can’t decrease the.

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Controls

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• Amount: Sets how closely the frequency spectrum you’re processing will be matched to the learned spectrum. Many times, using a 100% match could sound unnatural, and lower values, between 10-40% do enough to make the two audio signals more closely aligned.
  

Workflow

How to Apply EQ Match to different selections

1. Open the EQ Match module
   
2. Make a selection in a file.
   
3. Click Learn.
   
4. Make another selection.
   
5. Click Process.
   

How to save a captured spectrum as an EQ Match Preset

1. In EQ Match, click the preset menu to the right of the preset drop-down menu.
   
2. Select Add Preset.
   
3. Enter the name for the new preset.
   
4. Press Enter.
   

Overview

The Ambience Match module lets you match the noise floor of one recording to another recording. For example, you can recreate the ambience of a live set on your ADR tracks.

The module analyzes the noise floor in your recording and creates a snapshot of it, similar to the noise print in the Spectral De-noise module. Then you can use this noise print to synthesize similar noise in another recording.

The Ambience Match algorithm analyzes an audio selection, rejects silence, and then finds the lowest common denominator (the noise that is common across the audio file) and treats that as the ambient profile.

Workflow

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Using Ambience Match module in the RX Audio Editor

To train Ambience Match, provide it with a selection of raw noise. If there is no single fragment of raw noise, or you want to save time, selections with speech can be used. The algorithm will intelligently discard speech and only leave noisy parts in the noise print.

To match the ambience between selections:

1. Open the Ambience Match module in the module list
   
2. Make a selection in a file.
   
3. Click Learn.
   
4. Make another selection.
   
5. Adjust the Trim level as desired. The Trim control adjusts the level of synthesized ambience.
   
6. Select Output Ambience Only if you want the selection replaced with only the ambience from the first selection.
   
7. Click Process.
   

Note

The Ambience Match module cannot reduce the amount of ambience that already exists in the selection, it can only increase it. To reduce the ambience, use the Spectral De-noise module.

To create an Ambience Match preset:

1. In Ambience Match, click the gear icon to the right of the preset drop-down menu.
   
2. Select Add Preset.
   
3. Enter the name for the new preset.
   
4. Press Enter.
   

Using Ambience Match as an AudioSuite Plug-In

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In addition to applying Ambience Match inside of the RX Audio Editor, it can also be used as an AudioSuite plug-in inside of Avid’s Pro Tools or Media Composer.

When using Ambience Match inside of Pro Tools or Media Composer, we recommend not learning from audio that contains fades within the selection or the handles. As Ambience Match establishes an ambient profile using the lowest common denominator, learning from audio that’s being faded in may result in inconsistent detection of the noise floor. Handles can be preserved by using Ambience Match in clip-by-clip mode.

Note about learning ambience on fades

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When using Pro Tools, you may see an inconsistent result as a result of Pro Tools adding dithering to fades, which varies based on the session’s bit depth. Since this dithering noise almost certainly doesn’t match the material’s noise profile, this will throw off Ambience Match. If you’re running a session in 16 bits, the dither added by a fade will be sufficient enough to affect the detection algorithm. The problem is less pronounced in 24 or 32 bits. To adjust the bit depth of your session, go to Setup > Session in Pro Tools.